Showing posts with label New Orleans. Show all posts
Showing posts with label New Orleans. Show all posts

Monday, March 15, 2010

Why I Gave My Coat to Death Bear

So, there is more downtime on my job then I thought there'd be. Good. As a lot of you know, I invited Death Bear over to my sister's house a couple of weeks ago as a way to part with the Northeast before I made my move to the south.

As we were searching for parties to go to that night, we came across Death Bear's number. In one sense, Death Bear is a performance artist. His concept is to dress up in a ridiculous outfit, come to your house and take things away for you to put into his 'cave', where you will never see them again. Once he takes these things, he says, they will be gone forever. My friend Olivia suggested that I give him my winter coat, since I was going to New Orleans and wouldn't need it anymore. My instant reaction was complete resistance, how utterly ridiculous it would be to give away my coat, so I realized that I had to give my coat away.

A note on this coat. For one thing, I really loved it. I had gotten it 2 months earlier at a thrift store in North Philly, and as soon as I saw it I knew I had to have it immediately.
It was that rare winter coat that was both stylish and incredibly warm, who's previous owner, Diane Sague, had written her name inside the pocket. To me, the coat was a symbol of my integration with north: after a 4 year struggle with winter, I had found a coat that was both functional and stylish, and all winter long, when I had it on, I was comfortable in my environment.

So why give it away? Well, for one, since I valued it highly, I thought giving it away would give my experience with Death Bear more weight. Plus, without a winter coat that I liked so much, my incentive to return to the Northeast would be a lot lower, my exit more final. The truth is, my arrival in the northeast was fueled mostly by my own geographic insecurity: growing up in New Orleans, no matter how much I loved it, I felt that if I wanted to do something important or interesting in the world I had to get out of the South and go to the Northeast. This myth was a very difficult one for me to shake, as both Northeners and Southeners perpetuate it.

When I was a kid, my teachers pushed me to leave the south to get an 'real' education, and while adults lamented that 'all the good students go away', they seemed to accept its inevitability. Once my sister left for college and spent time in New York, she would return laughing at the Times-Picayune's living section, as articles on 'trendy' Yoga seemed hilariously outdated. Clearly, New Orleans was not where it was going on. I needed to get out if I wanted to get anywhere.

Once I arrived in Connecticut, this continued. My classmates assumed I was racist before I even finished a sentence that had the words 'black people' in it, and they lectured me on the absolute stupidity of anyone on the right, especially those in the South, who at the time were running our country. People would constantly ask, "Oh, why don't you have an accent?", meaning, usually, "Oh, you're southern? Why couldn't I immediately tell you were an idiot?".

With all the attention New Orleans got from Katrina, New Orleans became a unique or interesting place to be in the eyes of the nation, but it was my renewed snobbiness after 4 years in the north that kept me from returning immediately after I graduated---yea, New Orleans was a good place to stop by for a bit but it still wasn't a place where 'real' things were going on. So, at the time when I gave my coat to DeathBear, I thought these were the reasons. I was shedding this insecurity that I had, and feeling confident that New Orleans is a place where I can do interesting things.

But I've come to realize that giving up the coat was more complicated than that. I think being in the Northeast, at an ivy league college, had given me a confidence I needed to shed. It gave me a false sense of self-importance that could only be sustained by staying in that general area, where the Ivy league is most revered. It's always difficult to let go of the one that rejects you, and the Northeast, New York and Yale in particular, is filled with opportunities to feel less-than. People are almost completely segregated by money, education, ambition, sub-culture affiliation, and ideology, and these gates are very difficult to pierce. Luckily, being from an Ivy League college and having friends and relatives who were successful in New York made it easy for me to feel cool when I visited. And there's nothing quite like feeling cool in 'the City'. And there was nothing that I owned, right then, that made me feel cooler than my coat.

And so I decided to give it to Death Bear, and all that came with it. I think I'm going to save what happened when Death Bear came for another post. But I think it's funny to point out here that even calling Death Bear was something that I did, in some ways, to seem cool. So it was paradoxical in that sense, but the experience was so realistic that it transcended my baser motives for it. And now, I see that shedding the coat really represented shedding the external structures I had constructed to ensure me that I was cool, accepted, alright.

Of course my impressions of the Northeast that I expressed above were in some ways just manifestations of my own insecurities. But I do think the North's cultural emphasis on ambition, status, and class and the inherent competition based on the increased population make it a uniquely difficult place for an insecure person. Now, being back in New Orleans, I still feel hampered at times by the biases and snobberies that have blocked me from seeing past the arbitrary social measures of college attended, future plans, etc., to determine value. But I'm getting better at judging for myself, and it feels quite good.

Friday, February 19, 2010

Police Expectations

New Orleans boasts the best crowd control in the country. Millions of revelers take to the streets during the Gras, and there are hardly any violent or destructive incidents. The department claims that people from around the country visit New Orleans to discover the NOPD's crowd control secrets, but I think I have a general gist of it: the NOPD don't expect anything terrible to happen.

Case in point: when the Phillies made it into the world series this fall, people filtered over to Broad Street, and as I was walking in the crowds I started to feel real happy, reminded of how nice it really is to be in a place, surrounded by people, knowing that they are thinking the same thing you are (in this case, WOO HOO). But when I got to Broad street, there were about 50-70 cops standing in the median, arms crossed, stares cold, eyes narrowed. They looked like some SHIT WAS BOUT TO GO DOWN, and they didn't look happy about it. They were expecting something to happen. Sure enough, about five minutes after I got there some guy shot off a bottle rocket in the middle of the crowd and was pinned to the ground by about four police within two seconds.

NOPD, on the other hand, stick to the outer edges of the crowd during Mardi. They act as the parties' referees, not enforcers. When someone is expecting you to break the rules, you do. Which is why racial profiling is so problematic and circular. It's just another example of your expectations of what is going to happen can radically change what actually happens. And the best part about expectations is that they are in your control!

Wednesday, February 17, 2010

Mardi Gras

Well, another Mardi Gras has come and gone for the city of New Orleans. I've gone to a few festivals, but haven't attended any as much as I have Mardi Gras, which has been a consistent milestone in my life since I moved to New Orleans in 3rd grade.

But, as many people ask, what is it? Like most things New Orleans, Mardi Gras is a strange amphibian, slippery and resistant to categorization or explanation, but more and more I've found myself comparing it to the major festivals around the country, musical and otherwise. Unfortunately, its national reputation has been boiled down to little more than a girls gone wild video, deterring a lot of would be revelers. At times I wish we could attract all kinds to the party, including more creative/artistic types, not just friends of friends and drunk college kids looking to see boob. I'm especially convinced of this because I think so much of what is emphasized at other national festivals is something that grows naturally in New Orleans, and does so without any specific dogma or marketing. So here's my go on why Mardi Gras is the best festival in America.

1. It's Multi-Generational: There's an incredible thrill as a child to see your teachers, parents, friends parents, grandparents, baby cousins, and neighborhood weirdos all gathered in the street doing exactly what you're doing--enjoying themselves. There's no age for Mardi Gras, and there's something for everyone.

2. It Spans Socio-Economic class: Sure, the richer you are, the more likely you are to be on a float, go to balls and dress up fancy, etc. etc. But on the whole, it would be hard to make the argument that these experiences are in any way 'better' than just the regular guy watching the parade, or riding on the truck floats, or waking up early to bbq in his backyard. Unlike most festivals, the concept of a "VIP" pass to the event would be ridiculous. Its one of the few festivals when having money/status doesn't translate into a better experience.

3. It's not motivated by Money: To the above point, unlike almost every other festival, Mardi Gras was not created to make money. Krewes don't get anything for having parades (they just lose dough), and although the tourism generated from the event is certainly an economic boon for the city, it wasn't as some mastermind manufactured it for that purpose. Plus, there's tons of free stuff all over the place. Sometimes I think I could go through a whole mardi gras just grabbing beers from random folks, eating the occasional hot dog that floats by and munching on the moonpies they throw out, not spending a dime.

4. It's limitless: While this is not entirely true, as all Mardi Gras' begin and end, the possibilities for what your Mardi Gras are seemingly limitless. Want to dress up in elaborate costumes and wander around? Check. How about listen to music every night? Sure. Be in a krewe and throw beads? Done. Watch as the parades go by? Course. Go to house parties every night? K. How bout clubs? Why not? Since every type of person is involved in the celebration, any type of party you can imagine is happening at any given time during the course of the festival. The only hard part is finding it.

5. It has no 'point': This is the best thing about Mardi Gras. There's nothing you're suppose to 'get' about it. It doesn't have a message, it's not trying to make a statement, and no one's out there trying to prove anything to you. It's a celebration of life for life's sake. The only point is to try and enjoy yourself, exactly in the way you like best, and as long as you let others do the same then you are doing Mardi Gras right.

Friday, January 29, 2010

Thursday, January 28, 2010

New Orleans Reaction to Election


Via the times pic